Which composers use logic

The feeling I get is that this is because Logic has a large share in the amateur market because it is a cheap alternative to other DAWs, but it fails to offer the stability or features that professionals need. Hans Zimmer uses Cubase for composing, and insists that people in his studio use it as well.

Many of the people who work in his studio and left are still using Cubase. If you watch Hans Zimmer's interviews, especially for his sample libraries, then you'll see he still uses Pro Tools HD for recording. The DAW just brings together all the recording and sample libraries. You should focus more on finding a process that works for you than mimicking what the pros do, and finding some good sample libraries.

Mind you, anyone who suggests that all DAWs do the same thing with a different workflow has obviously never extensively used one, and probably hasn't used at all more than two. To add to that, don't underestimate having a good workflow.

You want your DAW to be a tool to get your work done, not an obstacle between yourself and the creative process. Personally, I've never been anything but happy using Pro Tools midi editor and Sibelius, but other people might feel differently and that is okay.

Try different software to find the one that best fits your needs. The only reason why sonar picked up so much steam in the first place is because of the Roland sound boards that exclusively worked with Sonar.

Even then, most of the professionals carted the audio files to Pro Tools anyway. And keep in mind that Apple generally doesn't give things away for cheap. Especially classical scores that can be converted instantly into a useable film score just like the score to Willow from Schumann's 3rd symphony, anything from Shostakovitch, Tchaikovsky, Charles Ives, you-name-it!

And nevertheless you get a gig for the biggest film being made! We need those DAWs! Actually, to be honest, and to get serious here - I want the one that Gustav Mahler used. His was the best. Can you imagine the RSI in having to write a Hans score years ago? Seriously, I feel like an infinitesimal insignificant mollusc for using Logic Pro. I would appreciate it if somebody would take a minute here to explain why sp many professionals use DP, and nobody Logic Pro.

I'm being serious, I'd love to know; specifically the advantages it offers for a Horner, Williams, etc. I am not interested if it just it loops beats better. They're all good in their own ways and yes, they don't all do the same things. I spent years wondering the same thing and after trying many different DAWs and working with lots of professionals that use different DAWs, I came to the conclusion that it doesn't matter as long as you like the workflow of that particular DAW.

Honestly, I don't think as many people use DP as people have made it sound in these forums. That doens't mean that DP is bad btw. A lot of the guys on DP are on DP because that's what they started using decades ago, and a lot of them don't want to change because It's true that DP has some awesome features for film scoring.

Multiple chunks ie you can have multiple cues per project. You can make your click behave exactly how you want it regardless of what your tempo is set to which is the same with Pro Tools.

I'm sure there are more. Cubase is in my opinion the best for midi mockup work. The possibilities that you can have with its logical editor are amazing. You can select every 2nd 16th notes and do specific things to those that's just a small example of the power behind Cubase. You can see multiple controller lanes all at once and not on top of each other in the annoying way like DP does it - someone correct me if I'm wrong There are many more but I'm too lazy to write them down Clean up your audio by approaching your signal flow meticulously.

This sampler should be a staple of every composers workflow. But every composer needs to at least be familiar with how to approach mastering their own material. Caleb Parker Caleb Parker is a composer specializing in scoring for film and media. Related Articles You May Like. Harassment Harassment or bullying behavior. Inappropriate Contains mature or sensitive content. Misinformation Contains misleading or false information. Offensive Contains abusive or derogatory content.

There are plenty of other programs out there for you to explore. They may not match the power and performance of those listed above. But they are still worth a try. Ultimately, your creativity will need to be uniquely matched with your preferred DAW. There is no one program that fits all film scores. So take the time to discover what software will work best for you. Mack Sennett Studios is a historic full-service photography studio, production sound stage , and private event space in Silver Lake, serving as creative home to the Los Angeles cultural renaissance for the last years.

Logic Pro X Logic is incredibly versatile when it comes to music composition. Below are some of the pros and cons of Logic to get an idea of the bigger picture. Pros Ableton is an incredible live performance tool It is increasing in popularity throughout the industry Its instruments and tools are ideal for contemporary beat-making with exciting sample sounds The menu is easy to navigate on screen Cons Ableton still lacks some composing features and tools that other programs offer Its limited tools can make it difficult for audio editors as there is no way to batch edit This can make it difficult when scoring audio to video Bonus: How To Become A Commercial Director ProTools Pro Tools initially did not keep up with other DAWs used for film scoring.

Pros Pro Tools integrates with various UAD devices, helping your CPU to process less power Multitrack Recording and Arrangement of Music features make recording and arranging a DAW highlight A composer can easily import and export multitrack files In this way, Pro Tools emulates traditional analog multitrack recording Cons Pro Tools offers loop-based production samples This aligns your sound more with hip-hop and electronic music as opposed to orchestral music As a DAW, Pro Tools does not offer too many creative ideation tools This can make it difficult for editing sound to accompany video Other film scoring software Your search for the perfect DAW is certainly not exhausted by this list alone.

Prev Next. Related Posts. Make sure your playhead is on a barline or beat and then you simply have to drag the tempo numbers after the decimal point by default these are. Do that for every decimal point and your music will hit the point at the exact moment. To be honest, being that precise is overkill, but can be good practice. The easy bit, right?

Write your masterpiece! Only 5 steps…makes it sound easy when I put it like that! Top tip: remember to mute the movie audio!!! The last thing the music editor needs is all of the dialogue which is probably just a draft version anyway doubled up in the music! Trust me.